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Rex chestnut "Children of the Revolution" even became a minor hit.After the record's release, the Femmes temporarily disbanded: Gano recorded a self-titled 1987 album with his gospel side project the Mercy Seat, while Ritchie issued a series of solo LPs including 1987's The Blend and 1989's Sonic Temple & Court of Babylon for SST.“It’s all us, but [the album’s] also as good as it is because of his involvement, for sure.” As is their wont, Violent Femmes did little if any pre-production, preferring to track together live whenever possible.The band’s goal, as ever, was to get as close to the moment of creation as possible, while also capturing the natural sound of natural instruments.With 1984's Hallowed Ground, Gano's lyrics began to reflect his devout Baptist upbringing, while the Femmes' music approached more traditional folk and country structures.Produced by Talking Heads' Jerry Harrison, 1986's The Blind Leading the Naked advanced towards a more mainstream sound; a cover of the T.
After being discovered by the Pretenders' James Honeyman-Scott, the Violent Femmes signed to Slash and issued their self-titled 1983 debut, a melodic folk-punk collection which struck an obvious chord with young listeners who felt a strong connection to bitter, frustrated songs like "Blister in the Sun," "Kiss Off" and "Add It Up." Though never a chart hit, the album remained a rite of passage for succeeding generations of teen outsiders, and after close to a decade in release, it finally achieved platinum status.
The turn of the millennium saw Gano and Ritchie – who are based in the United States and Tasmania respectively – take a much-needed hiatus from Violent Femmes, returning to live action in 2013 with a wide-ranging tour that included both headline dates and ecstatically-received festival sets around the world.
Nearly non-stop touring coincided with these releases, augmented by percussionist John Sparrow and multi- instrumentalist Blaise Garza, both longtime members of The Horns of Dilemma, the band’s ever-evolving cabal of multi-instrumentalist backing musicians.
I’m even a little bit surprised myself.” Violent Femmes are undeniably one of the most inventive and original bands of this or any other era, constantly pushing forward with their singular blend of folk and punk, sarcasm and spirituality.
Founded in 1981, the originally Milwaukee-based band’s remarkable three-decade-plus career has produced a series of truly iconic singles – among them such classics as “American Music,” “Gone Daddy Gone,” “Nightmares,” “Add It Up” and of course, “Blister In The Sun” – along with cumulative worldwide album sales in excess of 10 million, with 1983’s VIOLENT FEMMES awarded RIAA platinum eight years after its initial release.